BIBLIOGRAPHY
See also... Information
Bibliography
2007
Witnessing Places, by Stephanie Buhmann, the catalog essay accompanying Place for Two Stones, James' exhibition at Jason McCoy Inc., New York, September-October 2007, pp.4-6.
Amistad: Arte de Texas en El Peru, catalog of the 2007 Museo de La Nacion exhibition, curated by Gus Kopriva (Lima, Peru, Museo de La Nacion, 2007), 39 pages.
2006
Houston Contemporary Art, Christopher Zhu et al., catalog with essay accompanying group exhibition curated by Christopher Zhu at Shanghai Art Museum, Shanghai, China, June 2007, 261 pages.
Rouffignac, with essay by Allen R. Gee (F.K.Hamilton Editions, Houston, 2006), 19 pages.
2001
"Amazing Art Adventures," produced and directed by Carl Hartman, featured James working in her studio, with interview, as part of a program to be broadcast in the U.S. and other countries during 2001. Nebraska Public Television (Omaha, 2001).
2000
The Texas Collection: 150 Works from the Museum of Fine Arts/Houston, Alison de Lima Greene (New York Harry N. Abrams, Inc., 2000), pp. 44, 71, 144, 145 (illustration), 153, 236, 240.
Philip Johnson & Texas, by Frank D. Welch (University of Texas Press, 2000), p. 143.
"Life in the Abstract," a tribute to Dorothy Hood by Lisa Gray, included James' observations about Hood's career. Houston Press, pp. 41-57, cited p. 55, December 21-27.
"Houston Journal," by Carlo McCormick, reviewed James' work at Devin Borden Hiram Butler Gallery. artnet.com Magazine Reviews, p. 3 of 9, May,June 2000.
"Art Editor's Essay," Terrell James, Gulf Coast Magazine, Twentieth Anniversay Issue, April.
1999
"Connecting images and objects Curator's theme links works in group exhibition," Charles Dee Mitchell, Special Contributor to The Dallas Morning News, Today Section, pp. 1C-2c, October 19.
BIO: Between Image and Object, Arlington Museum of Art catalogue, with participating artists' dialogues, edited by exhibition curator Tracy Hicks. See also, Michael Odum essay for exhibition, available on www.tracyhicks.com (publication pending). (Catalogue published 2000, w/Illustration.)
"Thursday Landscape Paintings Tackle a Broad Array of Issues," by D.K. Row, reviewed James James' Fissure exhibition at Froelick Adelhart Gallery. The Oregonian, pp. E1 (w/ Illustration) and E4, August 5, l999.
"Visual Arts; Tip Sheet; Furtive Washes," described James' Fissure exhibition at Froelick Adelhart Gallery. The Oregonian, A&E Section, p. 70, August 6, l999.
"BIO: Between Image and Object," a video produced by the Arlington Museum of Art for Access Cable, featured an interview and images of exhibited work.
1998
"Homes of Metal Great Shining Hope?" by Donna Paul, featured images of James' metal work and paintings. The New York Times, p. F7, May 14, 1998.
"Designs for Living with Art," by Rainey Knudson, featured images of James' metal work and painting. Canvas, Volume l, No. l, Fall/Winter l998, pp. 6-7.
1997
"In a Steel Cocoon," by Terzah Ewing, described James' metal work and painting. The Wall Street Journal, April 27.
AP photograph of James in front of her patinated steel wall, Chicago Tribune, p. 1, 4, May 24.
1996
"Houston," by Bill Davenport, included James in describing the Houston art scene. ARTnews, page 142, May.
"Area Artists Create 'Vernacular' Exhibit at Lawndale," by Michelle L. Dugan, reviewed the Vernacular show curated by Bobby Mohseni for Lawndale Art and Performance Center. The Houston Chronicle, January 27.
1995
Forrest Bess: A Documentary, produced and directed by Robert Ziebell, featured an interview with James' at her studio (release pending).
"Showing Their Metal: A Houston Community Finds the Avant-garde in a Material as Familiar as the Nearest Toolshed," by Joseph Giovannini, described James' involvement in the design and construction of 5423 Gibson, Houston, and described her metal work and painting. Metropolitan Home, pp. 97-101, 122, July/August (illus.).
1993
"Getting to the Root of It: CAM Exhibit Digs into the Tree in its Untraditional Forms," by Susan Chadwick, described James' work as it appeared in the Contemporary Arts Museum's exhibition, Seeing the Forest Through the Trees. The Houston Post, page H16, August 15.
"Trees: Different Perspectives," by Patricia Johnson, reviewed James' work as it appeared in the Contemporary Arts Museum's exhibition, Seeing the Forest Through the Trees. The Houston Chronicle, p. C10, August 12.
1992
"Painter Traces Delicate, Wise Imagery," by Susan Chadwick, reviewed James' participation in the exhibition, Art and Nature, at Hiram Butler Gallery. The Houston Post, page B1, March 23.
1991
Texas Dialogues: Dallas*Houston*San Antonio, the exhibition catalogue for the show of the same name curated by Jim Edwards for Blue Star Art Space, San Antonio, included discussion of Terrell James work. Blue Star Art Space, San Antonio, February 1-March 17.
"Terrell James' Art Reflects a New Voice Amid Somber Works," by Susan Chadwick, reviewed James' painting. The Houston Post, pg. E1, March 15.
1990
"An Exhibition That Draws Attention," by Patricia C. Johnson, reviewed James' participation in the show, Direct References, curated for The Glassell School of Art by Liz Ward. The Houston Chronicle, pg. E1, October 18.
"Exhibition of Drawings Features Texas Artists," by Susan Chadwick, reviewed James' participation in the show, Direct References, curated for The Glassell School of Art by Liz Ward. The Houston Post, D1,D7, October 17.
"Amnesia City," by Stephen Fox, quoted James in connection with the history of Houston's art scene. The Houston Press, pp. 10-11, May 17.
" 'The Passenger' Rides Over Mantel in Albee's Drama," by Susan Chadwick, described Edward Albee's use of James painting, The Passenger, on the set of his revival of "Who's Afraid of Virginia Woolf." The Houston Post, pp. D1, D10, January 18.
LECTURES/WORKSHOPS OF NOTE
2000
"Address to Students and Faculty," a presentation of work and ideas at Altos de Chavon, La Escuela de Diseno, Republica Dominicana (Parsons School of Design). March 15.
1999
"Diego Rivera: Art and Revolution," a discourse staged in conjunction with the Museum of Fine Arts/Houston exhibition of the same name, with Abdel Hernandez and MFAH Curator Alison de Lima Greene. Brown Auditorium, MFA/H, October 7, 1999.
"Diego Rivera: Living Large," a tour to view Mexico City works of Diego (co-led by Cameron Armstrong) in conjunction with the Museum of Fine Arts/Houston and The Glassell School of Art. October 28-November 1.
"Why Are These Artists Making Prints?: Terrell James, Lucas Johnson, Sharon Kopriva," a round table discussion at Rice University Department of Art and Art History, with Johnson, Kopriva, Penny Cerling and Holly Lewis, and hosted by Print Department Chair, Karin Broker. September.
"Audio Tour Commentary: Permanent Collection - European Paintings," Museum of Fine Arts, Houston. February.
"Between Image and Object: Artists' Talk," with Tracy Hicks. Arlington Museum of Art. September 18.
1998
"Lean Addition, A Collaboration: Dialogue with Elizabeth McBride," discussed the collaboration between artist and writer during creation of their joint work. Sponsored by Brazos Bookstore, Houston, Texas.
1997
"Shields," a presentation of James' exhibition to collectors and curators, was sponsored by DiverseWorks, and organized by Carol Neuberger and Devin Borden Hiram Butler Gallery, Houston, Texas.
"Art and Architecture in Houston's West End," a dialogue with Cameron Armstrong and Stephen Fox, sponsored by DiverseWorks, Houston, Texas.
1996
"Abstraction from Nature," an evening with four-hundred Houston area educators, sponsored by the Museum of Fine Arts/Houston to accompany its exhibition, The Texas Collection of the Museum of Fine Arts: Texas Modern and Post-Modern.
1994
"Why We Do What We Do," open discussion for students of the Departments of Art and Art History, Architecture, and Drama. Organized by Karin Broker, Rice University, Houston, Texas.
1991
"Open Studio/Lecture," with Stephen Fox, sponsored by DiverseWorks, Houston. Women Artists' Studio Tours, The Art League of Houston.
